I was using this one right at the start of trying to get the PhD off the ground! So a lot of the front of it is very unexciting old notes about entry requirements and research proposals and the occasional line about having to email somebody.
Then I left it half-empty for a while, but then, shortly after beginning SBD (which has paper that is far too nice) I realised I'd prefer something that I could use for rough scratchy drawings without fearing that I was wasting good quality paper, so I picked it up again.
(Timelapse video of this one here!)
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I went through my copy of Barclay's Universal English Dictionary (c.1812, definitely the sort of thing the people from my case study would have been familiar with, here's a later edition) and found relevant definitions. (Done in pencil because I'm not using ink anywhere near a 200-year-old dictionary) |
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Notes on Amanda Vickery's Behind Closed Doors: At Home in Georgian England (Yale University Press, New Haven & London, 2009) which has things that would be relevant to my characters |
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Reading Manifestos for History (edited by Keith Jenkins, Sue Morgan, and Alun Munslow; Routledge, London, 2009). Ann asks important questions about memory and commemoration, and puts the frighteners up Charley. |
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Left: planning for William's two extra pages in Disorder (see IBJ for when I decided to do these). Right: Charley in the rain |
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Important notes about image processing and other digital stuff for Disorder. Also iridescent pink tape! |
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Initial ideas for a postdoctoral thing. Left: brewing up interpretations of dead people. Right: more recent versions of the characters meet old versions of themselves, from a project I did a few years ago - see more of that here |
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